Category: The Netherlands

  • International School of Amsterdam

    International School of Amsterdam

    Gamelan continues to be a constant thread of the Music programme here at ISA from Middle School to 12th Grade providing a real-life entrance into a world and a culture whose concepts and attitude to music are excitingly different from those of the western world, as well as being a readily-accessible practical experience for all students, and creating the powerful sense of community which it both requires, and engenders.

    The students come from: India, Ireland, Italy, Netherlands, New Zealand, Russia, Turkey, United Kingdom, and USA

    Some student reflections on learning Gamelan (click on the categories below):

    7th Grade Spring 2008
    • We helped each other to learn
    • As we make music we develop usually a very calm environment in which all of us contribute
    • Since we are playing the music others have played we’re exploring different ways to play different kinds of music
    • Most important thing I learned was how we can connect together in bonds of music to accomplish something within – that basically says it all
    8th Grade January 2013
    • “….when you play gamelan, you are all one unit and you’re all contributing to this amazingness!”
    • “ …we learn aurally, by listening to the music, and to each other …”
    • “ … I can recognise and remember the melody by listening …”
    • “… we are told not to read the notes, but to ‘feel’ the music, to learn what is coming, and when … to be in a calm state of mind, focused, and relaxed …”
    • “ … it taught me to be focused and relaxed…”
    • “.. it sounds like the instruments are meant to be together as one … they assemble like a puzzle – when we play I feel we are all thinking about the same thing …”
    • “ …all gamelan instruments have their own ‘jobs’… with all the instruments working on their own ‘job’’ the gamelan instruments make the right harmony that sounds very calm, but interesting
    • I like the way you learn by playing
    • Through the music we learn about the culture
    • It is so different
    • When you play all the different instruments you come to understand the way it all fits together
    • It’s difficult to damp the keys at first, but with a lot of practice it comes
    • …. once we knew it, I could tell the music is really beautiful
    • I think playing gamelan links to our social education … because you learn a lot about a different culture while you’re learning the music
    • It’s also fun and we can perform – which is a social thing to do
    • I think gamelan lessons help us ‘to learn how to learn’ – we’re learning how to learn different instruments … and we learn how to play together as a group
    • Learning gamelan includes the ways we have discovered to learn music (by listening, by reading notes, by watching, by numbers, by moving … )
    • Playing gamelan is creative … you’re making music yourselves, that other people have made, on instruments they made
    8th Grade April 2013
    • The most interesting thing I find is that they show a lot of the culture – the music is very different to what we would usually play, but it sounds beautiful Thank you!
    • The gamelan I believe is a very interesting instrument. I think that it has taught me to be calm and focus
    • I have never played it before but I have really found it was easy and exciting to play
    • I really enjoy the slenthem (Christian)
    • The most challenging thing of gamelan is playing at the same time as everybody else
    • The most challenging thing was when I first started and I had to damp as well as play
    • The most interesting thing about the gamelan is how it makes people communicate and cooperate more (Ellen)
    • The most interesting things are the different gongs and kenongs that make different types of sound – they all blend in well together (Miyu)
    • The most wonderful part about gamelan is that we work together as a unit to reach our goal, which means that everyone in the group is proud to succeed (Matt)
    • The most challenging part of gamelan is keeping the same pace/tempo of the music with other instruments
    • The most interesting thing was how everything fitted together in harmony perfectly.  The most challenging thing was no to get lost (Stijn)
    • The most wonderful thing is how all the instruments combine and fit together (Thirza)
    • The most interesting thing was learning to play and seeing my progress (Alexander)
    • The most challenging is playing at the same time with friends (Yuuki)
    • The most wonderful thing is the music
    • I think that the gamelan is a very nice sounding instrument but it takes time to make and play as a group (Luca)
    • Every piece shows different emotions – it can be sad, but also happy (Jella)
    • Gamelan is all about working together and working with the sounds in order to do your part, and using the music to explore the culture (Carmen)
    • Gamelan has been an interesting instrument, and I found that when the gamelan was done with teamwork and dedication we made beautiful sounds (Jack)
    • The most wonderful thing about gamelan is that the design of each instrument fits the big picture of all the instrument designs
    • The most beautiful thing is the colour scheme of the gongs and how they combine nicely.   The most interesting part about gamelan is the story behind it (Luca)
    • The most interesting thing is that every instrument relies on the other instruments to make the song sound as beautiful as it does together (Raphaella)
    • The most exciting thing in gamelan is that everyone can play together and play many different instruments
    • You can’t hear the slenthem super loudly – the first time I thought I was playing it wrong … but once you listen for it there’s almost like a vibration that ties the whole piece together (Carmen)
    9th Grade – from April 2013
    • The gamelan is like playing a team sport – everyone has to cooperate
    • The culture behind it is fascinating (Mateo)
    • Once I concentrated it became easier (Teo)
    • When we played gamelan we would help each other with the notes and help each other figure out what we had to play (Abby)
    • Last time I could realise the music we were playing was really beautiful because all the instruments had their own characteristics and the music echoed nicely (Kanami)
    • Playing gamelan changed the way I heard music – I wasn’t looking at the notes but listening to the sound (Leah)

    Ruth Andrews
    Music Teacher
    International School of Amsterdam
    Amsterdam, the Netherlands


  • Mini-gamelan

    Elsje Plantema developed the idea and designed the instruments for a Miniature Gamelan, that can be played in a normal class room, and is easily transportable. Most of the instruments look like a (shoe) box, with the keys and mallet inside. They can be unpacked and played on the children’s school desks. Suhirdjan made practical adjustments to Elsje’s designs and created a compact set that resonates clearly.

    A kendhang ketipung is included in the ensemble, but the large kendhang ageng is replaced by a single-headed rebana. In some projects, after studying in school on the gamelan mini, the kids would get the opportunity to play the “real” gamelan: a compact but complete normal sized set, also made by mas Hirdjan (with box style balungan instruments, normal shaped kempul and kenong, gong suwukan, gender, gambang, etc.).

    Currently, two sets are stored at Het Gamelanhuis, Veemkade 578, Amsterdam, and three sets are at Conservatorium van Amsterdam.

    Elsje Plantema
    e.plantema@xs4all.nl


  • Multifoon Foundation

    Multifoon Foundation

    Sinta Wullur founded Multifoon Foundation in 1993 to stimulate the interaction between non-Western music and contemporary music. She commissioned a 12-tone chromatically tuned gamelan. The slenthem, demung, saron, and peking are set on two frames, with the keys arranged similarly to a piano keyboard. The bonang is a single octave, with the pots arranged similarly to a piano keyboard.

    In 2000, a second order was made for 12 kempul, a two-octave bonang panerus, a one-octave bonang panembung, two extended sarons (two-and-one-half octaves), a complete set of kenong, gender barung, and gender panerus. Wind instruments and violins were added to the ensemble, which performed commissioned compositions. To counter the tendency of new bronze to rise in pitch, Suhirdjan submerged the bronze keys and all knobbed gong chimes and gongs in water for 4-5 months before tuning them.

    The gamelan was played in the Concertgebouw by the Concertgebouw Orchestra in Amsterdam in the Gamelan Symphony by the composer Peter Schat. The complete chromatic gamelan set combined with choir, strings, winds, and percussion instruments was also used in the performance of Sinta Wullur’s Ramayana opera “Sita’s Liberation” at the International Gamelan Festival Amsterdam 2007.

    Sinta Wullur
    contact@sintawullur.com
    www.sintawullur.com


  • Fluxus Arts Education Center

    Fluxus Arts Education Center

    The gamelan set Panggiya Raras came to us in November 2011. It was built on the request of the dutch Fluxus arts education center Zaanstad for their school program Muziek maakt School (Music makes Cool). In this program, all children in the elementary schools (aged 4-12 year) of the neighborhood Poelenburg in Zaandam get music education through singing and playing various sorts of instruments. Every week, children between the ages of 7 to 11 have music lessons in violin, harp, guitar and gamelan.

    The gamelan is a great instrument for these youngsters since it’s possible to play different parts in different levels and the children have to listen very carefully to themselves and the others in the group. The soothing tones of the gamelan help them to focus and they absolutely love their gamelan lessons.


    YouTube channel of Music Makes Cool

    Group 6 (aged 8/9) plays Witing Klapa:

    Group 5 (aged 7/8) plays an improvisation about a giant:

    Group 6 plays Ricik2 during the public presentation of the gamelan set, after just 6 half hour lessons:

    Group 5 plays an improvisation for Mas Hirdjan:

    Claudia RUMONDOR
    componist / assistent artistiek leider Muziek maakt School

    Heukelsstraat 54
    1504 CM ZAANDAM
    The Netherlands
    M: +31 (0)6 – 27304958
    E: claudia@rumondor.nl
    W: www.rumondor.nl


  • American School of the Hague

    The school gamelan is taught every day in different classes for one and a half months each semester. Students in grades 6, 7 and 8 learn gamelan in their World Music classes. The school gamelan is performed in concerts including International Day and the largest concert of the year – Extravaganza. The drum patterns are not gamelan, but the tunes and embellishments are!

    The school gamelan has enriched hundreds of student lives by the introduction the music and culture of Central Java, Indonesia to their lives.

    American School of the Hague
    Rijksstraatweg 200
    2241 XT Wassenaar
    Netherlands
    +31 (0) 70 512 10 60
    https://www.ash.nl/


  • 19 Gongs

    19 Gongs

    This set of 19 gongs, ranging from F# to c”, was commissioned by a Dutch percussionist. The gongs were made from iron sheet metal with a brass cap on the boss (plencu). The stands were designed to be knocked down for easy transport and when assembled were adjusted to stand at angles to facilitate ease in playing.